Mark Tredinnick—whose many books include Almost Everything I Know, Bluewren Cantos, Fire Diary, The Blue Plateau, and The Little Red Writing Book—is an celebrated poet, essayist, and writing teacher. “One of our great poets of place,” Judy Beveridge has called him. His honours include the Montreal and Cardiff Poetry Prize, The Blake and Newcastle Poetry Prizes, two Premiers’ Literature Awards, and the Calibre Essay Prize. The Blue Plateau, his landscape memoir, shortlisted for the Prime Minister’s Prize. He travels and teaches widely, in schools and at festivals, through Australia and in the US and UK and he works with the corporate sector to explore the truths and graces poetry gives access to.
Andrew Motion has written of him: “ his is a bold, big-thinking poetry, in which ancient themes (especially the theme of our human relationship with landscape) are recast and rekindled.” He is at work on a memoir of the reading life, Reading Slowly at the End of Time. His next Australian collection of poems, Days and Nights, will be published by Pitt Street Poetry in mid 2016; a fourth collection, Walking Underwater, appears in the US (Hip Pocket Press) later this year. He’s just finished a collaboration, A Hundred Miles, As Ever, From Home: One Hundred Haiku, with poet Peter Annand and painter John R Walker. “Like the singing of the birds he loves,” Jean Kent has said, “Mark Tredinnick's poetry feels artlessly beautiful.” Mark is creative in residence in 2016 with landscape architects, TCL.