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	<title>Comments on: KARIN REVISITED, by David Prater</title>
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		<title>By: Redroom Company &#187; Blog Archive &#187; Karen Carpenter, Justine Bateman, Kim Gordon</title>
		<link>http://redroomcompany.org/wordpress/2006/10/06/karin-revisited-by-david-prater/comment-page-1/#comment-89</link>
		<dc:creator>Redroom Company &#187; Blog Archive &#187; Karen Carpenter, Justine Bateman, Kim Gordon</dc:creator>
		<pubDate>Tue, 17 Oct 2006 05:55:41 +0000</pubDate>
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		<description>[...] While these three women might not ostensibly have much to do with one another, in my poem Karin Revisited they are transformed and re-connected, a little like in the game Six Degrees of Kevin Bacon. While Justine Bateman meets herself as Karin in the 1980s movie Can You Feel Me Dancing?, a further connection is made between Karin, Karen Carpenter and Kim Gordon by the poem&#8217;s title, echoing as it does the Sonic Youth songs &#8220;Tunic (Song For Karen)&#8221;, &#8220;Karen Koltrane&#8221;Â and &#8220;Karen Revisited&#8221;. &#8220;Tunic&#8221;, in particular, captures the world-weary sadness I was trying to achieve in my poem. The band&#8217;s sense of iconography, as expressed by co-lyricist and bassist Kim Gordon, fuses in the poem with a cyber-punk future, where blind people can see movies and the weather in Los Angeles is always snowy. [...]</description>
		<content:encoded><![CDATA[<p>[...] While these three women might not ostensibly have much to do with one another, in my poem Karin Revisited they are transformed and re-connected, a little like in the game Six Degrees of Kevin Bacon. While Justine Bateman meets herself as Karin in the 1980s movie Can You Feel Me Dancing?, a further connection is made between Karin, Karen Carpenter and Kim Gordon by the poem&#8217;s title, echoing as it does the Sonic Youth songs &#8220;Tunic (Song For Karen)&#8221;, &#8220;Karen Koltrane&#8221;Â and &#8220;Karen Revisited&#8221;. &#8220;Tunic&#8221;, in particular, captures the world-weary sadness I was trying to achieve in my poem. The band&#8217;s sense of iconography, as expressed by co-lyricist and bassist Kim Gordon, fuses in the poem with a cyber-punk future, where blind people can see movies and the weather in Los Angeles is always snowy. [...]</p>
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