Poets’ Guide to Picture Shows

Guide to Picture Shows

What is left behind in Brisbane.

Brisbane, two days ago: I jogged about the Roma Parklands in the early morning where I was met by the most handsome, intoxicating and very large Eastern Water Dragon. Almost 80 cm long, and the gardener told me, still growing! There was nothing  shy about the reptile, he simply posed in the sun and waited for natural magic.

I traveled to Brisbane to visit schools and poets. One included, ‘Sheldon College’ who are running our education program, with poet, Bronwyn Lea. The school is close the home of Oodgeroo Noonuccal and far away from the construction heavy Queen Street Mall.

Back in the city, Nathan Shepherdson and I spent the afternoon in swivels, on the Hilton Hotel chairs where the room lights were lolly pop pink and zooming lifts so high, I felt ill : the ghosts of the Kings of Queensland were everywhere. We talked about turning our ‘Poetry Picture Show‘ project into a virtual learning resource and whether you should laugh or cry when someone asks a poet ‘so when are you going t to write a novel?’ ; as if poetry doesn’t count! Nathan and I got as violent as is possible whilst surrounded by whispering suits – as we talked about the conservatism taking over the Australian Literary Review : those destructive and arrogant articles lately that bemoan the state of poetry and damning anything that is language – isn’t poetry itself, language? Why does The Australian publish such wet?

I think the heat made the time in Brisbane so intense; the hugeness of poems being written, poetry being made wherever you tread and people asking me why I do what I do – as if I know! Half the time you just feel your way though and too much thought as to why has been returning to the blank state of pointlessness.

I arrived home without my keys and am waiting by the post box for their return.

19 May 2008 9:47:54 PM – Recording to stars

Mike was recorded in early after lunch light a moon sickle seen behind the clouds but not yet Night Writing. The darkness I’d experienced had been when I tipped over the spare seats next to me, on the plane, and slept the way from Sydney to Adelaide. Esther will be recorded in pitch black in Tasmania. This evening it was half dark when I called to Lachlan across the round about as he hurried towards our studio with an erudite gaze into The Flame Tree,

Soon we were in studio, talking while the mikes were being tested and told what to do, about boats, poem wave, how treasures are buried beneath not so often on top. Thursday’s live event is one, two, three sleeps away but

I hold my tongue from describing about the beauty of our N installation that I and my Friend, saw for the first time, yesterday afternoon in Camilla’s back yard; under moon light Camilla crouched, painted and wove materials around a wood husk that was the body of Lachlan’s poem. In the far end of her yard another poem body was drying off varnish and signs of Esther (blue plaits) hung from the nose tip. As I tip toed around metal pots, plant necks and paint daubs, Camilla’s friend carved and twisted wood that is to hold the Braille poems and suspended from for spidery legs were arms of Mike Ladd.

All these objects being nailed, scaled and sawn together to make a place for the audience to experience Nightwriting. A perfect Sunday treat, to be reminded by Camilla that a poem is made and re made with each read and in each position. I still am ruminating on, the frenzy of ideas that swell only when lights are of the shadow of a moon. In night, writing, walking, holding, allows eyes to see, you see the most beautiful things or most horrific things, depending on who is standing next to you, lit, light, alive to the person in the moon.

Fire leaves

Plants, I needed plants. My Terrace (‘my’ as in I live here I don’t own here) was suffocating with carpet, cushions, objects and humanness. My runty cactus had suicided, my cream flowering fern had all forest good burnt out of it by the afternoon sun. So concerned with writing and running towards things I had forgotten to nourish the tree and earth creatures with conversation, mulch and water.

Buying a plant and planting it you know you’re at some stage going to lose it – like the purchasing of goldfish, especially the jelly black bulb eyed type, death comes quickly to plants (and fish) sometimes a week, a season, certainly within the turning of two birthdays. Plant grief is short though, as if they want to die back into the earth, being buried and unnoticed the most satisfactory state for plants.
I knew my plant world (downstairs, behind poets and pan land) was unlikely to survive the Autumn, due to my uncaring nature. Today, one of acceptance – I admitted I’d let the plants hang about half dead for too long. So I tipped them leaf, stems and beds into the tip and ventured to the flower man for replacements.

The plant shop should be an oxygen heaven except the owner’s body odor forces the purchaser to hold breath and face the opposite direction to any advice or opinion the shop owner opens his mouth with. One turns a face away in order to do business.

Thankfully, today’s green adventure was more pleasant than last time as powerful April-soon May smells of potting mix and mint beat away the sweat of the shop owner’s armpits and whatever else drives a persons body to stink ugliness.

It is night and Synergy an hour away. Night, all branches of night are printed with visions of whoever is scared of the dark

Suddenly I open a photograph sent to my via email: it is of a tree ablaze with orange autumn leaves no night about it, I am sure if I stood before the gold glow at night the dark wouldn’t dream of turning down the colour power.

I am reminded by the photo, that a sound of a leaf cracking is warm without pain and that of an icicle cracking is painful warmth.

Lachlan Brown goes missing

RABBIT-thumb.jpgI lost Lachlan Brown in The Forest Lodge on Saturday afternoon. We’d planned to find one another between beer stalls and friands yet he (and for him, I) were nowhere before eyes. I took to hunting this poet by venturing into daggy Glebe; was Lachlan disorientated in the Markets or had he fallen into sleep under the fingers of an aggressive masseuse that frequent the Glebe area?
Thanks to having a permanent hand diary I managed to trace out his phone number from my recently soaped hand. All along Lachlan had been waiting for me in the pub.

Lachlan and I decided that either one of us was fibbing or each of us had, for half an hour been invisible to the other. Maybe we had forced ourselves to see the other as we wanted and so were unable to accept the person that was I or he, right before me. I did not expect Lachlan’s glasses to rest on his nose or for Lachlan to have delicate arms and fingers that were mighty machines he uses to write poetry, play the piano and sound the French Horn.

All day I couldn’t rid my mind of the image of a rabbit stewing in a terracotta circle or the concern that the Sydney Writers’ Festival have asked us to charge $10 as an entrance fee for our event on the 22nd May, which features Lachlan Brown, Tasmanian talents and torches.

An excuse to mention India

blog.jpgMorning, I swam the swimming pool and sipped coffee with Ms Jane Thorn. Together, Ms Thorn and I planned away the morning trying to turn talk into action – instant ways to implement Red Room’s education program, having been distressingly unsuccessful with both Arts NSW and CAL. If it wasn’t for the generous support of the Keir Foundation I (and maybe the rest of the board) would have spent Easter Sunday dressed as a Bunnies, handing out pamphlets for an Oxford Street Club Bunny Party, in order to raise coins for poetry.

..

Chilli popcorn and chai in a polluted courtyard are two memories from my movie going in India.) where I was, a dozed days ago, being chaperoned by a cordial family. (‘cordial’, when Bengalis use it, means warm-hearted, trustworthy and kind). My Indian friends and I joined hands to view the sensationalist, controversial, jewel full, Jodhaa Akbar. Regardless of this Hindi film’s supposed historical inaccuracy, I blessed it 4 stars, because of lustful belly button wriggles and memorable elephant wrestling scene starring scrumptious jade eyed, musculus pectoralis major : Hrithik Roshan.

In India it was dry season.
Today, in Australia, it’s leaf and rain scatter season.

Tonight I dawdled to the movies with my boyfriend to watch Brick Lane. I devoured a double bulb kiwi fruit (externally lumpy and tumorous, with a heart of fluorescent lime internally) and overpriced water. The film began poorly, with embarrassingly clichéd scenes of pretty children running in carefree hysteria, fingers through blades of dew blessed grass and hair tangled in flower blossom spary. Yet, when story reached London’s markets and explored sewing as a way to speak, the film became a fair adaptation of Monica Ali’s penetrating novel.

Midway into the film there was a dinner scene – my eyes scanned the fictional spread for hints of Bengali potatoes or sweets, so much so, I missed the reciting of a Tagore poem.

….

The day bends to sleep with my religious instruction from supposedly, the first Western autobiogrophy – St Augustine’s, Confessions of a Sinner; (perfected in print via the Penguin Books ‘Great Ideas’ series). So, on the night that once upon a time Jesus rolled back stones and rose into angels feathers .. and on the night before I journey to Sydney’s Royal Easter Show, I find it interesting to poke about St Augustine and read him out of context, he tells me: ‘..I had no liking for the safe path, for it was without pitfalls€¦’ (book 111)

Coming out from chaos

This afternoon, following a Red Riding Hood visit to a pneumonia enervated mother, I atteneded an event held in honour of the late John Forbes. Little can be recited on the screen stage, so a poem can answer whatever question you’re asking me now, at this time of night, you should be in bed and roaming through supernatural magic. Your sleep ducts should be shut and renewing their ability to feel a balanced blank, flickering with each thought.

Satellite of Love

by John Forbes

like unwound toys or the mind of a stone
verbs elude me. I’m willing to change tho’

— if you do too — into a spree or a better
more feeling computer. oh tent of dreams!

where is your tailored lightsail guiding us?
through what used to be the empyrean, but now

is just where satellites go, to stamp like
a giant foot, infotainment & game shows

into the brains beneath? death by stellar
allure or a lack of oxygen might follow,

unless this prayer can save me, the way
damaged glamour seeks out its opposite number

& we move together, draped in the planet’s
tingling aurora, thanks to our huge,
electric shoes.

1066, fish and chips & churches

SirJohnBW.jpgSir John Betjeman, English poet (1906-1984) poems everywhere in England, especially the South Coast, where The Red Room blog is being written from. Every first or second hand bookshop has at least one of Sir John’s collections for sale, mostly his will be the only poetry for sale. Cafes often have a poem or two of Betjeman’s pinned to the back of the cash register. Even in a general junk shops, (masquerading as Antiques and Old Wares) you ‘ll unearth some Betjeman-esque object or reference to him.

A recent biography,’Betjeman‘, by A.N Wilson is currently a U.K. favourite and, next week. I shall return to Rye to purchase it. Earlier this week when in Rye, I turned up a small path and was greeted by the house in which Thomas Hardy once lived. This literary surprise was followed by more stumbles on writers’ dwellings – around the corner, rooms that housed hands who wrote Heart of Darkness, Mapp & Lucia and, a train station away Dante Gabrielle Rosetti.

My grandmother has countless Betjeman poetry collections and biographies on him. Other collections I’ve noticed on Grandmother’s shelves are Milton, Dylan Thomas, Robert Browning and Edward Lear. There are also tattered and much adored compendiums of Fairy Tales (Red, Blue, Green). Margaret Thatcher appears about the shelves as does the works of Roald Dahl and Barbara Pym.

As for Australian poetry, so far no bookshop I’ve searched in has any, not even Clive James.

Moths swarmed across the Sydney skies last night as the poems and artworks for our City of Sydney Project (Child’s eyes/Red Room Remains) was launched I was surprised the screens were not blacked out with moth wings. Instead Spring happy parents took of their shoes and jumped about Circular Quay whilst their children rolled around to the music. I did wonder how long it would take one of the children (or parents) to dance their way into the puddle of soggy McDonald’s Sundae that was on the corner of Customs House steps. Two students read two poems and then the AMP building was mad with carnival colours and then, all 8 poems, who will dominate the Quay side for the next month.

Here are some photographs:

elana knox-JPG.jpg ed wright and fiona wright-JPG.jpg Bonny Cassidy and Friend-JPG.jpg Anna Kerdijk Nicholsan and friend-JPG.jpg

jane gibian and james stuart-JPG.jpg Johanna at Sustainbalbe Sydney launch-JPG.jpg

Johanna: It’s impossible to be late, early or on time

Romaine arrived wrapped in a spectacular shawl which swirled in deep, rich tones and thick cotton lines sewn together to protect her from the weather and to attract eyes of patchwork admirers, like myself. Costume, combined with voice and broad smile gave Romaine the presence of a magnanimous, impressive character.

With Elliott Wheeler monitoring our whispers and hollers from his studio desk beyond the glass, Romaine and I explored the ways or non ways time decides to exist as – or we decide time to exist as. Time, in Romaine’s view has never been a reality but it is instead a grand imaginary. Making poems makes time and the trees and the water ways take it away. We also yarned about mystery and mountains, Romaine being another Sydney poet (Pam Brown, I’m thinking of) who has ventured into the blue bark.

This was the first interview recorded for our ‘Sustainable Sydney’ pod-casts and time capsules. Part of which we will reveal in October 07 and the rest in 2030.

Just as Romaine was handing me her tangible time capsule component … there was a knock knock and Brook Emery arrived with his neat brown leather satchel …
Always two words, ie. high school
If you’re speaking generally as in
“this is a program for high schools” then it’s lower case;
If you’re referring to a particular school
as in “Penrith High School” then it’s upper

Johanna: poets the size of their poems

By engaging with The City of Sydney’s project ‘Sustainable Sydney’, predicting what 2030 will be like has become a daily preoccupation. So far, no morbid apocalyptic thoughts about there only a baby green leaf poking up from mound of soot, all that remains of human-land. Instead, the 2030 vision I’ve had lately is filled with thin modes of transport (the bike, the memory stick) cycling beneath hovering mobiles and around a lot of legs dog walking real life dogs cross bread with computer bred canines.

How language exists and how we communicate in 2030 will be a central question for all the 8 poets participating in Red Room’s version of Sustainable Sydney. (One of the 8 poets is Jane Gibian, whose new collection of poetry ‘Ardent’ was launched with moving and teary readings yesterday in Sydney by Occasional poet, Adam Aitken and Giramondo Press)
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Between now and October 2030 the 8 poets will have to work on their predictions, which will be recorded in studio and stored in an audio time capsule online. This capsule will be popped on line and in a public space, in October 2030. Whichever poets and Red Roomers are still here and living will have the chance to hear their original recordings broadcast around the city.

At this stage megaphones on every corner may exist, or perhaps there will be no street corners or public meeting spaces because everyone is saving themselves within the walls of their individuals worlds?